Info and background stories of our current exhibition
OSCAM x Brian Elstak present ‘L.O.B.I ARCADE’
Lobi – Sranan
noun – love
verb – to love
“A true artist’s duty, as far as I am concerned, is to reflect the times.” – Nina Simone
With the exhibition L.O.B.I. ARCADE artists Brian Elstak, Dewy Elsinga (Butterfingaz), Hedy Tjin and creative collective Lowrey Foley McClane (LFMC), reflect on both universal and personal themes in an authentic and unique way. These themes range from black empowerment, representation, colonial heritages and migration, to personal struggles such as paranoia and (dis)belief in mankind.
As the title indicates, L.O.B.I. ARCADE represents a hall full of arcade machines that cover different themes. The extraordinary art forms of arcade games, Hip Hop, comic books and cartoons have shaped Elstak’s childhood. With L.O.B.I. ARCADE, Elstak takes visitors into his world, and tells them stories that are recognizable to many, but simultaneously offer a new perspective for some. L.O.B.I ARCADE is an ode to the art forms and stories, topped off with a sauce of pop culture.
L.O.B.I. ARCADE consists of 10 unique arcade machines, each with its own theme. For this project Elstak works together with carpenter Ellik Bargai who builds Elstak’s designs. The wooden arcade machines are canvases on which stories are told. The machines cannot actually be played, but a number of them are audio-visually supported with music and animations.
The arcade machines were made in phases and a number of them are currently part of Say It Loud in the Bonnefantenmuseum (until April 2021) and Refresh Amsterdam (until March 2021) as stand-alone works. After these projects end, the arcade machines will move to OSCAM to become part of the entire exhibition.
In OSCAM the exhibition L.O.B.I. ARCADE will for the first time be visible in its entirety, where all 10 arcade machines are on display together. The exhibition opens on April 22, 2021. Artists Dewy Elsinga (Butterfingaz), Hedy Tjin and creative collective Lowrey Foley McClane will also make new works, especially for L.O.B.I. ARCADE.
Dewy Elsinga (Butterfingaz) explores what it means to be from Amsterdam. She captures everyday situations and childhood memories of the city as a personal investigation into (disappearing) identity and frustration against gentrification. Hedy Tjin let herself be inspired by old family photos, captured moments that all gradually ensured that she became who she is today. A moksi poty (mixed pot) of tropics and flat cold lands, city and village, rice and meatballs. Last but not least, art collective LMFC builds a safe house in L.O.B.I. ARCADE where they encourage makers to create and take up space. Unapologetic, without filter, without tone polishing, without assimilation.
During the exhibition period, there will be a side program in which the central themes of the expo are further explored in various ways. Are you ready for L.O.B.I. ARCADE, player 1?
Curator: Brian Elstak
Production: Edmée Loupatty, Macarena Loma Yevenes & Noukhey Forster
Artists: Brian Elstak, Hedy Tjin, Dewy Elsinga (Butterfingaz) & LMFC (Lowrey Foley McClane)
Production arcade cabinets: Ellik Bargai
AV: Hans Jansen
Music: DenZen, DJ LOVESUPREME, Kohfie Konnect (Terilekst, Tenshun, Jiggy Djé, Frankie Boxcutta), RFx &The Flexican
Video-edit TOTEM: Paul Kempe
Video-edit The B.A.S.S.: Brian Ent
Video and photography Atelier LFMC: Mounir Raji, Sharon Jane Dompig & Vanity Wezer
Poem Boebelaas: A. Ansah
Public Program: LFMC & OSCAM
Supported by: AFK, BankGiro Loterij Fonds, Stichting Stokroos, Stimuleringsfonds & LFMC
Special thanks to: A Lab Amsterdam, Amsterdam Museum, Aram de Groot, Bonnefantenmuseum, Das Mag, Het Borduurburo, IXL Sickle Cell Awareness, Jean van Lingen, Lyanne Tonk, mixin famiri, The Black Archives, Uitgeverij De Harmonie, VISIONARY AGENCY, Zindzi Zevenbergen, Sasu Aghafua, Phuong Nguyen, Ahisha Echteld, Charmaine Wartes, Louisanne van Hooff, Julie Becker & Armand Ong A Swie.
OSCAM x BNNVARA x HazazaH x Noah Latif Lamp present Roofkunst – Souvenirs of stolen cultures
How do we deal with our colonial legacy of stolen art? How can we make room for a contemporary and inclusive view? In collaboration with the creators of the documentary series Roofkunst and artist Noah Latif Lamp, we are looking for answers to these questions.
Behind the splendour of colonial art hides a painful history and a struggle for ownership that continues to this day. In Roofkunst – Souvenirs from stolen cultures we reflect on these underexposed stories. We show the colonial history and commercial souvenirs of four looted works of art, that are eminent symbols of the appropriation of rights. This puts the objects in a completely different light.
Roofkunst is a plea for a new, inclusive narrative about the colonial history of the Netherlands and other European nations, and a look behind the scenes of discussions about colonial art that are being conducted within the museum world.
OSCAM Speak Sessions x Roofkunst
For Roofkunst, we partially turned to digital methods. Watch the online ‘Speak Session x Roofkunst’ by clicking on screenshots of the video underneath.
Curator: Noah Latif Lamp
Production: Sam Godfried, Moos Wilhelm, Samra Asmellash & Sasu Aghafua
Exhibition design: Zaïra Pourier
Partners: BNNVARA & VSBfonds
Special thanks: Marian Duff, Armand Ong A Swie, Phuong Nguyen, Shaquille Shaniqua Joy, Louisanne van Hooff